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Story and clark piano review
Story and clark piano review











story and clark piano review

Between 18, Smith performed in vaudeville acts with Elmer Bowman and Billy Johnson. Scarborough quotes Uncle Israel: “My mother learned it from an African from her country.” For more on Scarborough’s sources and others, visit Guide to Life and Literature of the Southwest.ĪFTER ALL THAT I’VE BEEN TO YOU! composed by Chris Smith (1879-1949), published by Haviland, New York, 1912. In the list below, the 46 solos are indicated by an asterisk (*).ĪFRICAN COUNTING SONG(*), an African-American folk song in Dorothy Scarborough’s On the Trail of Negro Folk Songs. That leaves 46 solos that are published separately, as noted above. There are 330 solos covered by these notes, and 284 of them are in SOLOS 1. Listen to Dem Ding Dong Bells, Lotta Schottisch, Ring Dem Chimin’ Bells, Yes I’ll Be ThereĪfter All that I’ve Been to You, Barnyard RagĬhitarra Polka, The Coquette, Croton Waltz, Parisian Waltzes 1-4

story and clark piano review

Minnesota Waltz, O Yes I’ll Share Thy Cottage Shade, Veiled Prophet Grand MarchĬlarinda Polka Quadrilles 1-4, Deux Tems Quadrilles 1-5, Ladies Polka Quadrilles 1-3, Philadelphia Assembly Grand Polka, Roland’s Five-Step Waltz Great Day in the Morning, The Lime-Kiln Band, Somebody’s Laughing Laughingīessee Waltz, Concert Hall Favorite Waltz, Dramatic Schottisch, Galena Waltz, Lewellyn Waltz, Hannah Boil Dat Cabbage Down, That’s What the Little Bird Whispered to Me, You Know the Sort of Fellow I Mean The Favorite, Felicity Rag (with Scott Hayden), The Rosebud March

story and clark piano review

The American Girl, The Arrival, Augustus, Battle of New Orleans (1815!), Caroline Cotillin, Castilian, The Cymbals, Introductory, Johnson’s Jig Cotillion, Maria Caroline, The Orphan’s Cotillion, The Princeton Grand March, Quadrille, Virginia Cotillion, William The Terpsichore (Elisabeth), The Terpsichore (Susana), The Terpsichore (Washington)īonnets of Blue, Cupid’s Frolic, A Favorite Cotillion, Hop Waltz, Kitty Clover, Miss Willing’s Waltz, New Years Cotillion, The Philadelphia Hop Waltz, Philadelphia Serenading Grand March, That Rest So Sweet Joys of Life, Scudder Lanciers, Watch Hill Polka RedowaĬastles’ Half and Half, Congratulations, Liken’ Ain’t Like Lovin’īeautiful Lake Erie Waltzes 1-2, Daffney Do You Love Me, Evansville Favorite Waltz, Idlewild Mazurka, The Seven-thirty to Eleven Galop, Those Charming Feet, Thoughts of Youĭavis Quick Step, Le Duc de Bordeaux, The Miercken Polka Waltz, Miss Lucy Neal Quadrille,

story and clark piano review

McGuffin’s Home Run, Sing Again that Sweet Refrain, Will She Meet Me Tonight with a Smile, Heel and Toe Polka, La Belle Créole, La Capricieuse Valse, La Coquette Grande Polka, La Créole Polka Mazurka, La Louisianaise, La Rosace Valse, Les Folies du Carnaval, Mamie Waltz, Regina Waltz, Temple of Music Polka MazurkaĬarry Me Back to Old Virginny, Midst Pretty Violets, Oh LucindaĪurora Waltz, Dinah’s Barbecue, Melons Cool and GreenĬarnaval Waltz, Empire State Quick Step, Liela LielaĪmerican Polka Quadrille, Cellarius Polka Quadrilles 1-3, Chesnut Street Promenade Quadrilles 1-5, Fashionable London Polka Waltz, Finale, Five Step Waltz, General Taylor’s Gallop, La Poule, My Cherished Hope―My Fondest Dream, Pantalon, Philadelphia Polka Waltz, Polka Quadrille, Seraphine Gallopade 1 AFRICAN-AMERICAN COMPOSERS REPRESENTED IN COLLECTION 1ĪFRICAN-AMERICAN COMPOSERS REPRESENTED IN COLLECTION 1.













Story and clark piano review